"Dostoievskyan" meaning in All languages combined

{
  "forms": [
    {
      "form": "more Dostoievskyan",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most Dostoievskyan",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "Dostoievskyan (comparative more Dostoievskyan, superlative most Dostoievskyan)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "alt_of": [
        {
          "word": "Dostoyevskian"
        }
      ],
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with 1 entry",
          "parents": [],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with entries",
          "parents": [],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "1966, Eric Walter White, “Part One: The Man”, “10. The Return of the Native (1962)”, in Stravinsky: The Composer and His Works, University of California Press, published 1972, →ISBN, page 124:",
          "text": "After recording the Dostoievskyan dinner-party at the Metropole Hotel, Moscow, on 1 October and meditating on the effects of Stravinsky’s exile, Craft wrote in his Diary: ‘I am certain that to be recognised and acclaimed as a Russian in Russia, and to be performed there, has meant more to him than anything else in the years I have known him.’",
          "type": "quote"
        },
        {
          "ref": "1977, “John Cowper Powys and Religion: Dostoievsky as the Type of the Prophetic Artist”, in The Powys Review, page 21, column 1:",
          "text": "Much of Powys’s writing may be seen as an attempt to define this Dostoievskyan “religion”, which is both new and old. It is, says Powys, Christianity; but “a Christianity completely different from what we are accustomed to”.",
          "type": "quote"
        },
        {
          "ref": "2006, Carmen Borbély, transl., Panopticon: Political Torture in the Twentieth Century: A Study of Mentalities, Romanian Cultural Institute, translation of original by Ruxandra Cesereanu, →ISBN, page 95:",
          "text": "These cases have a Dostoievskyan touch about them. All in all, the twentieth-century torturer can be said to have perfectly adapted to horror.",
          "type": "quote"
        }
      ],
      "glosses": [
        "Alternative form of Dostoyevskian"
      ],
      "id": "en-Dostoievskyan-en-adj-lTL-a0I8",
      "links": [
        [
          "Dostoyevskian",
          "Dostoyevskian#English"
        ]
      ],
      "tags": [
        "alt-of",
        "alternative"
      ]
    }
  ],
  "word": "Dostoievskyan"
}

{
  "forms": [
    {
      "form": "more Dostoievskyan",
      "tags": [
        "comparative"
      ]
    },
    {
      "form": "most Dostoievskyan",
      "tags": [
        "superlative"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {},
      "expansion": "Dostoievskyan (comparative more Dostoievskyan, superlative most Dostoievskyan)",
      "name": "en-adj"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "adj",
  "senses": [
    {
      "alt_of": [
        {
          "word": "Dostoyevskian"
        }
      ],
      "categories": [
        "English adjectives",
        "English entries with incorrect language header",
        "English lemmas",
        "English terms with quotations",
        "Pages with 1 entry",
        "Pages with entries"
      ],
      "examples": [
        {
          "ref": "1966, Eric Walter White, “Part One: The Man”, “10. The Return of the Native (1962)”, in Stravinsky: The Composer and His Works, University of California Press, published 1972, →ISBN, page 124:",
          "text": "After recording the Dostoievskyan dinner-party at the Metropole Hotel, Moscow, on 1 October and meditating on the effects of Stravinsky’s exile, Craft wrote in his Diary: ‘I am certain that to be recognised and acclaimed as a Russian in Russia, and to be performed there, has meant more to him than anything else in the years I have known him.’",
          "type": "quote"
        },
        {
          "ref": "1977, “John Cowper Powys and Religion: Dostoievsky as the Type of the Prophetic Artist”, in The Powys Review, page 21, column 1:",
          "text": "Much of Powys’s writing may be seen as an attempt to define this Dostoievskyan “religion”, which is both new and old. It is, says Powys, Christianity; but “a Christianity completely different from what we are accustomed to”.",
          "type": "quote"
        },
        {
          "ref": "2006, Carmen Borbély, transl., Panopticon: Political Torture in the Twentieth Century: A Study of Mentalities, Romanian Cultural Institute, translation of original by Ruxandra Cesereanu, →ISBN, page 95:",
          "text": "These cases have a Dostoievskyan touch about them. All in all, the twentieth-century torturer can be said to have perfectly adapted to horror.",
          "type": "quote"
        }
      ],
      "glosses": [
        "Alternative form of Dostoyevskian"
      ],
      "links": [
        [
          "Dostoyevskian",
          "Dostoyevskian#English"
        ]
      ],
      "tags": [
        "alt-of",
        "alternative"
      ]
    }
  ],
  "word": "Dostoievskyan"
}